可能是大卫·芬奇的电影里看得最不“爽”的一部它的观影门槛太高注定不会是观众能津津乐道的电影也正是如此大片场都不看好这个项目只有Netflix一掷千金给他这个空间整部电影的核心思想其实都在开头背景介绍那段文字里了:He was given absolute creative autonomy, would suffer no oversight, and could make any movie, about any subject, with any collaborator he wished.
短篇小说倦怠电影离不开叶子助兴的徒步之旅与边缘试行对白是启示、肉体是环境、行动展示摄影机的亲密密林和温泉带来感官体验的暗示开头与结尾匆匆却完全不潦草亲密一段转接山间血蛭、露水、屋舍、泉流确实有黑泽明和胡金铨的影子The world is like a huge drop of tear, a tear slowly dropping through space. Sorrow is nothing but worn-out joy.