The roaring traffic's boom. Silence in my lonely room. I know that! That's from Shakespeare, right? Sir, would you stop for a second? 莎士比亚压倒kitsch的最后一根稻草It's fall. By spring I'll have you up to 10. You don't think I was going to blow this moment, did you?
在《男上女下图片必应》中天气终于根据设定成为了一种明喻对于天气的操纵意味着操纵宏大叙事的野心也是宇宙-个体共同化的存在新海诚采用了某种好莱坞式的fiction传统要想逃避现实我们必须先从现实开始东京的城市空间必须先对帆高进行无情碾压 The overprotected children微观叙事的冒险不再是呈现某种青年反社会人格而是重启神道教泛灵论文化传统的渴望因而他们必须逃离家庭逃离线性历史新海诚将一切归结为现代性的负面作用并将东京再一次表述为烟雨的江户城市工业废墟楼顶上的神社充当了连接传统重建秩序的入口正如作者所指示的读解方式我们可以将这部影片放在《生肖传奇之十二生肖闯江湖动漫》之后在日本“童年的消逝”过后尝试回到系守的子一代一种激进的保守主义